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Interarchitectural Trauma: THE HOUSE
Read more: Interarchitectural Trauma: THE HOUSENetflix’s new stop-motion feature THE HOUSE is a tour de force of strangeness, heartfelt emotion, and technical filmmaking prowess.
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Remember THE ROCK? No not that one, the other one.
Read more: Remember THE ROCK? No not that one, the other one.David Sims doesn’t like RED NOTICE. But I love THE ROCK.
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The Horror of the Open Door
Read more: The Horror of the Open DoorThe open door can symbolize so much about how we understand the world, especially through horror films.
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A Note on Perspective: Saint Maud
Read more: A Note on Perspective: Saint MaudA short note on how Saint Maud (Rose Glass, 2019) employs perspective for its title character.